The first Denver office of Mayer-Osborn is for lease at $8,000 a month

The 1717 E. Colfax Ave., Denver, Colo. location is for lease.

Story and photos by Kristen Cart

While enjoying our leisurely October road trip, my dad, Jerry Osborn, and I sought out the former business office of the Mayer-Osborn Construction Company, the Denver-based business my grandfather, William Osborn, operated in partnership with Eugene Mayer. It still stands at 1717 E. Colfax Ave.

Mayer ran the business office, while Grandpa was in the field selling their services. Their former office has undergone a smart update, now sporting solar panels and new brick siding, which has added great street-front appeal for potential tenants.

An item from the Farmers’ Elevator Guide

The place was vacant, but it was settled into an optimistic, mixed neighborhood not far from the Denver Botanical Gardens. About four blocks from Denver’s Five Points, the area seemed to be on an economic rebound, though most buildings were older and fairly nondescript.

Dad and I pulled across a busy grocery store parking lot to get a good vantage point. The photo above shows modern updates, including passive solar panels installed to take advantage of Denver’s many days of sunshine.

Dad and I checked off another important historical visit, and went on our way, happy to see Bill Osborn’s Denver digs at last.

Some initials on a bronze plaque in Limon, Colo., help to solve a mystery

Story and photos by Kristen Cart

My father, Jerry Osborn, and I had a rare opportunity this October to take a road trip. Our goals were to see family, check out our hunting camp, and see some of the sights in the west. Dad is in his eighties now, so we don’t put off any chances to do neat stuff. This trip exceeded our expectations. Happily, we also were able to take in some elevators.

Jerry Osborn at Zion National Park, Utah

Our stop at the elevator in Limon, Colo., proved to be a wonderful surprise. There was a truck at the co-op when we arrived, but the office door was locked, so I approached the elevator itself and called out to see if it was deserted. When I turned around, a man was approaching from the office. I went to meet him.

Ed Owens was finishing up paperwork before going home for the night. I asked him about the history of the elevator, and he brought me into the office. Ed said his grandfather, S. L. Sitton, helped build the Limon elevator as well as the earlier, neighboring one in Genoa, Colo. He said his grandfather came into the area in 1939. He went away during the war, then came back and looked for whatever work he could find. Elevator construction provided a part-time laborer job that kept food on the table.

The builder put up the elevator like a layer cake, letting each concrete layer cure for a period before adding another, rather than by the continuous-pour method pioneered by early elevator construction companies. The Limon elevator was built in stages by farmers who built by day and farmed by night. I was impressed by Mr. Sitton’s fortitude, and I would have asked the old gentleman about it, but Ed said he was 97 years old and living in a nursing home in Flagler. He likely wouldn’t remember, and even if he did, he might not appreciate a visit.

The Genoa, Colo., elevator is in a neighboring town.

The best discovery was yet to come. When Ed ushered me into the office, he showed me the bronze plaque which originally adorned the driveway of the Limon elevator. Ed said all of the directors listed on the plaque were dead by now. The elevator was built in 1958, so all the community leaders of the time were long gone. But the key bit of information on the plaque was the name of the builder and designer, M. and A. Enterprises, Inc., of Denver.

I was very excited to see this name. The company was based in Denver, and the designer claimed to be the builder. Based on the design of the elevator, I had a strong suspicion of who that designer might have been. We now had a key piece of information.

Followers of this blog know that we have puzzled over a few mysteries while tracking our grandfathers’ elevators. The most difficult story to reconstruct, thus far, was how the Mayer-Osborn Construction Company met its demise.

The Denver-based enterprise lasted from 1949 until at least 1954, when my grandfather, William Osborn, apparently left the business. In the summer of 1954 he built the Blencoe, Iowa, elevator with the help of my dad, Jerry Osborn; by the summer of 1955, William was home from his Denver office and never worked elevator construction again. Meanwhile, his partner, Eugene Mayer, probably revived the company under various guises, but we know little of what became of him.

With our visit to Limon, Colo., we may have cracked the case.

Usually, the simplest explanation is the true one. The quickest way to explain why a thriving company would go away is to look for a disaster. Family lore says there was one. But I suspect the rumor of a collapsed elevator, lost to a crew that “shorted materials” and made bad concrete, might have been a tall tale that sprung from a much more pedestrian event. No such disasters can be found in 1954 or 1955 newspaper accounts.

The only related problem I could find occurred at the the Mayer-Osborn elevator in Blencoe, Iowa. During construction, when the elevator had reached about twelve feet high, the forms were slipped for the first time. As soon as concrete appeared below the slipped form, it began to slump and crumble. Bad concrete was indeed the culprit, and it necessitated a tear-down. To get back to a twelve foot height, the company had to add a day or two of expensive labor, which directly cut into profit. Could this event explain why William Osborn left the company? It’s the simplest explanation, so perhaps.

Several subsequent elevators bore the Mayer-Osborn manhole covers, but Dad didn’t know about these elevators, and he was certain that by 1955, his dad, William, was home for good.

The Mayer-Osborn elevator at McCook, Nebr. built in 1949

With its signature stepped headhouse, the elevator in Limon bears an uncanny resemblance to the first elevator Mayer-Osborn built in McCook, Neb. In fact, it is the same design, updated somewhat, and dated 1958. So it certainly went up after Grandpa left the business. But what about Eugene Mayer? Dad said that he was the designer, whereas Bill Osborn started as a carpenter and learned his construction skills on the job. Mayer still retained ownership of his elevator designs, which could explain why McCook clones continued to pop up all over the plains in the mid-1950s.

That brings us back to the builder of the Limon elevator, as inscribed on the plaque, “M. and A. Enterprises, Inc.” It seems inescapable that the “M.” was Mr. Eugene Mayer.

The Limon elevator had newer innovations but was built haltingly. Plainly, all was not the same as it had been when Bill Osborn was on the job. Perhaps fewer workers were available. Fewer contracts were awarded as subsidies waned. So the big, ambitious, day-and-night event of an elevator project was toned down somewhat. I expect we will find that Eugene Mayer’s design was eventually sold and others built it, then it passed into history, along with the great concrete elevator boom.

Happily, Limon’s elevator still thrives, and it gives us a peek at the amazing history of elevators on the American plains.

The layout of the elevator is used to record the content of each bin. Flat storage is adjacent to the concrete elevator.

 

 

The elevator in Odebolt, Iowa exemplifies the integrity of Mayer-Osborn’s style

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Story and photos by Kristen Cart

In March I had the chance to stop in Odebolt, Iowa, to investigate one of the last elevators built by Mayer-Osborn Construction, the company based in Denver and headed by my grandfather William Osborn and his partner Eugene Mayer.

Odebolt is a middling town in western Iowa. The grain facility looked deserted when I drove up, except for a man with a skid loader doing something I couldn’t quite make out. He disappeared through the elevator driveway, and was nowhere to be seen when I drove around to the other side.

A busy fertilizer operation sat adjacent to the elevator, and when I stepped into a nearby office, I had the pleasure of meeting the mayor of Odebolt, Mike Hoefling. He said I missed my mark and should drive past the bank (a neoclassical, tidy marble edifice in the center of town) to find the co-op in a green building. It was easy to find.

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The neoclassical-styled bank makes a stately neighbor to the sprawling grain facility in Odebolt, Iowa.

As a result of the April 1st merger of two Iowa stalwarts–the Farmers Cooperative Company and the West Central Cooperative, the Odebolt elevator complex will lose its “FC” signage and gain the name Landus. Landus is a brand new, giant cooperative based in Ames, Iowa (painters will soon be dangling off the sides of elevators all over Iowa implementing the name change). During my visit, the co-op in Odebolt was adjusting to its first day under new management.

A lady greeted me outside the co-op (I regret that I did not get her name). I asked her who built the old elevator, and when. She said she didn’t know, but at that moment a truck drove up, and she and two companions pointed out the driver and said he would know. As soon as the man stepped from the truck, she said “Do you remember when the old elevator was built?” The man, probably in his fifties, looked a little stunned and said “No!” Everyone howled with laughter. The 1950s vintage elevator was already on the scene before he was born.

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A vintage photo found in a 1974 history of the town, showing the Mayer-Osborn elevator.

The gentleman driving the truck introduced himself as Tim Gunderson. He said he worked at the elevator part-time to “help out,” but his full time work was farming. He offered to take me to the elevator to check it out. I hopped in the truck, and off we went.

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Tim Gunderson, standing in a basement doorway. Each concrete archway is beveled at the edge–for what purpose? We don’t know.

The elevator, sporting a stepped headhouse much like the McCook, Neb., elevator my grandfather built, was set among a cluster of newer additions. It sat silent, Tim said, because a leg had become clogged and awaited repairs. Tim led the way and I followed, donning a safety vest per regulations, and we entered the driveway and from there proceeded into the heart of the elevator.

Tim pointed out the “blue leg” which was the original, he said. Mayer-Osborn Construction painted the trim on all of its elevators blue–including the metal exterior of the leg.

We were on a level of the elevator beneath the bins (but not all the way into the pit) where a grain conveyor ran beneath the attached annex. Tim pointed out the workmanship and detailing of the concrete. “They didn’t have to do this,” he said, pointing to a neat beveled edge. “No one would ever see it here.”

According to Tim, the elevator was built with a pride of workmanship that you never see today. I noticed the same thing as we toured the elevator–utilitarian, routine equipment was thoughtfully designed to create a harmonious whole, imparting an impression of completeness and integrity.

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Neatness and graceful style, down to the switches and pulleys, exemplify a Mayer-Osborn elevator.

The elevator was impressive. It was remarkably clean and dust-free, a sign of a safety-conscious operation.

Tim also took the time to help me discover the vintage of the old house, and to this end we made several stops and visited more folks in the town. In the next post we will share more photos of this iconic elevator and delve into its history.

 

A mystery is solved with the discovery of elevator builder Van Ness Construction

The wooden elevator at Wymore, Nebraska, is representative of the style of Van Ness Construction

The wooden elevator at Wymore, Neb., is representative of the style of Van Ness Construction.

Story and photo by Kristen Cart

When we began investigating the elevators our grandfathers built, we had no idea how far the project would take us or what surprises would unfold. With the discovery of Van Ness Construction Company of Omaha, we have learned about the beginnings of the Tillotson family enterprise, and have entered a new phase of our search.

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The Nebraska State Journal, June 19, 1938

We knew that Charles H. Tillotson, patriarch of the family and great-grandfather of Ronald Ahrens, built elevators before the days of slip-formed concrete. We found only one Tillotson elevator, made of wood, that predated the elegant concrete structures that sprang up all over the Midwest in the ’40s and ’50s–at least we found its obituary in a news video of its fiery demise. That 1940 vintage elevator, in Hawarden, Iowa, was built two years after Charles died. It burned down in 2006. We didn’t find, at the time, a project that we could attribute to Charles.

Then we had a breakthrough, thanks to Ancestry.com.

Ancestry has a wonderful collection of city directories. I had seen listings for the Tillotson family in Omaha before, but I missed a significant data point. While searching for Sylvia (Mayer) Tillotson, the wife of Joe and sister of Eugene Mayer, I discovered an Omaha directory for 1936 in which Charles H. Tillotson was listed as president of Van Ness Construction Company. Further Internet searches revealed some of the sites where Van Ness built its small steel-cased wooden elevators, but as yet we have found none that have survived.

Now we hope to find an existing elevator from the days before Joe and Reginald Tillotson dreamed up their slip-formed concrete designs. So far the closest we have come is an elevator that perished in a fire in Scribner, Neb., in 1971 , a nightmare that repeated itself in June, 2013.

Also, in a Google satellite image of the town of Diller, Neb., another identified site, a square concrete pad with a grain spout lying alongside it is located near new steel bins, right where an old elevator should have been. In Rydal, Kan., you can see a concrete pad with concrete pits near a horizontal storage building, with the remains of a rail siding alongside. I was a little surprised to find evidence of earlier elevators at these sites, but of course digging up tons of concrete for no special reason would be unnecessarily expensive, so there are remains.

Everywhere we looked for these ancient elevators, we found evidence of obsolescence and ultimate destruction, with little left to identify the sites. Newspapers were the only way to find the locations. Fire certainly destroyed some of them. For those that remained, the adoption of concrete and much larger storage facilities turned these old Van Ness elevators into relics and ultimately spelled their doom.

Mayer-Osborn’s proposals were rejected at Wauneta, Nebraska

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Mayer-Osborn Construction lost their bid to build this annex.

Story and photos by Kristen Cart

Our blog contributor Gary Rich was the first to visit Wauneta, Neb. in the hunt for elevators built by Mayer-Osborn Company and J. H. Tillotson, Contractor. He discovered that the Frenchman Valley Co-op had retained original documentation including blueprints for the original elevator, and the two annexes, which all still operate today. The various documents painted a confusing picture. Gary told me enough that I knew I needed to get down there and see for myself, which I finally did in October of 2012.

The builder of the original elevator was unclear, but presumably J. H. Tillotson had built it, based its appearance.  Mayer-Osborn soon returned with a proposal for the first annex, and a close reading of those documents seemed to indicate that the first elevator was completed by the same people, which at that time worked for the J. H. Tillotson, Contractor operation. But nothing definitive was found to that effect–even the manhole covers of the main house were blank after a renovation.

FVC BP6aThe most interesting discovery was a set of blueprints and drawings completed by Mayer-Osborn for their annex that was never built. Their proposal was submitted twice, once in 1950 and once a few years later, but the town finally decided on a different contractor after some delay. For some reason, the co-op retained all of the paperwork at the site. This blueprint, dated Feb. 17, 1950, was the first of these designs.

The co-op has retained the original written contract proposals, which will be detailed in a later post. It would be very interesting to discover what held up the original building plan. Because the annex finally went up in about 1957, it’s possible that the co-op just waited too long and built the annex after the demise of the Mayer-Osborn Company. The existing annex looks much like the original proposal. Did they show another company the plans, and ask, “How close can you come to this design?”

Mayer-Osborn elevator contract proposals are preserved at Wauneta, Nebraska

Much of the time on the road was spent marketing. William Osborn at the wheel

William Osborn at the wheel. Much of his time was spent selling elevators to prospective buyers.

Story by Kristen Cart

The Mayer-Osborn Construction Company built their elevators from 1949 until about 1955. To do this, they had to beat out a number of formidable competitors, both large and small, vying for the same jobs. But they did not win the contract every time they tried. One example of their perseverance survives at the Frenchman Valley Co-op at Wauneta, a town in southwestern Nebraska. Mayer-Osborn did not win their bid, but their contract proposals, made over a period of several years, are still kept in the co-op vault among blueprints and records spanning almost 70 years.

The cover letter for the Mayer-Osborn contract proposal at Wauneta, Neb.

The cover letter for the Mayer-Osborn contract proposal at Wauneta, Neb.

When I was first trying to get a handle on the scope of Mayer-Osborn’s business, I asked my dad, Jerry Osborn, which partner did most of the marketing. I was under the mistaken impression that Eugene Mayer was in charge of all that, and I thought that all my grandfather William Osborn had to do was show up and start pouring concrete.

“No,” Dad said, “Gene Mayer took care of the office and accounting, but your grandpa did a lot of the sales.”

This ad for Mayer-Osborn Company ran in Farmers' Elevator Guide over a period of several years in the early 1950s.

This ad for Mayer-Osborn Company ran in Farmers’ Elevator Guide over a period of several years in the early 1950s.

Grandpa put many miles on his cars, visiting prospective clients, when he was not supervising an active construction site. He spent almost all of his time on the road. Dad recalls that he and his mother were home alone during those years, while his brother Dick was in Korea and his sister Audrey was married. We have a few pictures of Dad with both of his parents, but they were taken at a job site. The sales part of Grandpa’s job took much more effort than I had ever imagined.

For a closer look at the Mayer-Osborn plans for Wauneta, Neb., and the final outcome of their efforts, stay tuned.

Elevator builders turned to wartime projects during World War II

Unknown, Gerald Osborn, William Osborn, Iver Salroth

Jerry Osborn (standing) with his father Bill Osborn (center) and Iver Salroth (right) in Galveston, Texas in 1945 during construction of Tillotson’s Fairmont building in Giddings.

By Kristen Cart

We have very limited information about the activities of Tillotson Construction of Omaha during World War Two. The other two elevator builders we profile, J. H. Tillotson, Contractor, and Mayer-Osborn, of Denver, Colo., began their operations after the war, but individuals working for both companies gained their experience during wartime, either at Tillotson Construction, or elsewhere.

Eugene Mayer, a partner in Mayer-Osborn Construction, previously worked in a partnership, Holmen and Mayer, based in Denver. Orrie Holmen was a University of Chicago-trained architect. Eugene’s sister Sheila was the wife of Joe Tlllotson. At some point after 1938, Joe left his brother Reginald in charge of the parent company, Tillotson Construction, of Omaha, and moved to Denver to start his own elevator business, accompanied by old Tillotson hands William Osborn and Bill Morris.

It would be fascinating to trace the wartime activities of each of these principal builders, if they can be learned.

Elevator photos026In the Tillotson company records, we found concrete elevator specifications beginning a few years before the War and resuming immediately afterward, but conspicuously absent were records of elevator construction during the War.

However, we know Tillotson Construction was active between 1942 and 1945. We found one snippet in an old newspaper, which we transcribed on the blog: https://ourgrandfathersgrainelevators.com/2012/05/08/nebraska-firms-get-government-contracts/.

When we learn more about the activities of the company during that time, we will certainly write about it here. It is an open line of inquiry, and we are eagerly seeking more information.

The Cordell, Oklahoma elevator project fused engineering prowess with family ties

Story by Kristen Cart

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Edwin Christoffersen was the superintendent on the Mayer-Osborn Construction project in Cordell, Okla. in 1950. His son and namesake kindly provided a notebook that gave a glimpse of the concrete engineering that went into the elevator. By trial and error, the company learned best practices, creating an enduring structure which would still operate more than sixty years later.

Edwin Louis Christofferson was the son of Jens “James” Lauritz Christoffersen, a first generation American who farmed and operated a farm stand in Fremont, Neb. Edwin was one of nine children. Ed’s sister Alice married William Osborn in 1923.

When the Mayer-Osborn enterprise was in full swing, Bill Osborn tapped relatives to manage projects or to provide manual labor. He followed a common practice.

Sons Dick and Jerry Osborn worked at various times building elevators. Bill Osborn entered partnership with Eugene Mayer, the brother of Joseph H. Tillotson’s wife Sylvia. At the Tillotson Construction Company of Omaha, Bill Osborn worked with Iver Salroth, husband of Emma, a Christoffersen cousin.

Naturally, when the opportunity arose, Ed Christoffersen found employment with his brother-in-law’s company an attractive proposition.

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Edwin Louis Christoffersen with his only child.

Ed’s son has kept a number of Mayer-Osborn keepsakes, in memory of his dad, who died when he was still quite young. One intriguing item was the logbook that Ed kept for the Cordell, Okla. elevator, recording concrete tests.

Various sand, gravel, and concrete mixtures were tested to a failure point to determine the ideal formula for a given project. The date and time of day was recorded for each test. In this journal, we discovered the year of construction for the Cordell elevator.

The elevator business brought families together to accomplish a common goal, and now, many years later, writing about the elevators brings the builders and their sons and daughters together again. The memories are kept in small personal repositories of clippings, photos and documents, and in tales of the job, and are captured fleetingly before the witnesses leave us.

Looking up at these great landmarks, we also look up to the patriarchs who built them, with respect, and awe.

J. H. Tillotson’s project at Lodgepole, Neb., was the end of the line for Supt. Bill Morris

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The Lodgepole, Neb. elevator viewed through a rainy windshield on a blustery day.

Story and photo by Kristen Cart

It was the heyday of elevator construction, and J. H. Tillotson, Contractor, of Denver, was riding the crest of the building wave, when a new elevator was begun along Highway 30 (the Lincoln Highway), in the sand hill country of western Nebraska. Lodgepole was a sleepy town along the rail line that connected Sidney to the west, with Chappell and Big Springs to the east.

My grandfather, William Osborn, had been building for several years, and he accompanied Joe Tillotson to Denver when Joe made his break with the family business, Tillotson Construction of Omaha, and set out on his own. The new company had several projects under its belt, and several others ongoing in 1947, when Lodgepole’s elevator was started.

Bill Morris, an employee poached from the parent company, was superintendent for the job.

The dangers of the business were well known. But for the J. H. Tillotson company, fate was especially cruel, though the disasters that befell the builders were of a more mundane sort. In about March of 1947, Bill Morris was changing a tire on the side of Highway 30 near Lodgepole when a car struck him, and he was killed.

Of course the construction project went forth, and my grandfather played a role, since he had the experience to step in where Bill Morris left off.

It was not long afterward that Joe Tillotson met his maker in a car accident–only a matter of a few weeks. In those days safety in vehicles was an afterthought, and the Grim Reaper was guaranteed a regular harvest.

Joe’s death opened doors for my grandfather, since there were elevators to build and contracts to fulfill. By September of 1948, Bill Osborn had joined with Eugene Mayer, Joe’s brother-in-law, and together they formed the partnership of Mayer-Osborn Construction Company. My dad said Grandpa had to put up some money to opt into the business, and then he continued as before, building elevators as fast as they would go up.

The McCook, Neb., elevator marked their first joint effort.

By making tricky distinctions, it’s possible to discern the builder of an elevator

Story and photos by Kristen Cart

The question whether each elevator construction company had a signature style has become a topic of intense discussion and research here, and we don’t have all of the answers yet.

Johnson-Sampson Construction Company, of Salina, Kan., built elevators that were very similar to those of J. H. Tillotson, Contractor, of Denver and Mayer-Osborn Construction, also of Denver, prompting a great deal of debate about how that came to be.

Our pages for McCook, Neb., and Blencoe, Iowa, show elevators each with a stepped, rounded headhouse and about a quarter-million-bushel capacity. It was a standard elevator style for Mayer-Osborn, even appearing in their ads, until they closed their doors in 1954.

After that date, Johnson-Sampson was building a nearly identical elevator. We don’t know whether the architect moved on to work for Johnson-Sampson or the design was sold. The elevator at Limon, Colo., is in the same style, but there is no indication who built it—no paperwork, and no name on the manhole covers or the interior of the elevator.

Mayer-Osborn’s elevator at Kanorado, Kan., shows the company’s typical grooved vertical style.

So the question becomes: was the style proprietary to one company or to one designer who sold his design to all comers?

The Kanorado, Kan., elevator was built by Mayer-Osborn, in a design adopted from J. H. Tillotson, Contractor, after Joe Tillotson died in 1948. The same company essentially carried on under the new partnership of William Osborn and Eugene Mayer, and some of the earlier designs remained unchanged. The grooved vertical lines are only found on elevators made by those two companies.

Identical detailing can be found on elevators in Lodgepole and Wauneta, Neb., and Monument, Traer, and Goodland, Kan., among others—all of which were built by J. H Tillotson.

Another example, at Page City, Kan., comes from Johnson-Sampson, as proven by the manhole covers. The operator says it was built in the late 1950s. It looks very similar to the elevators in Wauneta, Neb., and Traer, Kan., built by J. H. Tillotson before his death in 1948. A few details and dimensions differ, and in this case the changes appear to be distinctive for Johnson-Sampson elevators. I feel fairly confident that the Page City elevator is an example of an identifiable Johnson-Sampson design.

Johnson-Sampson’s elevators in Brandon, Colo., and Page City, Kan., are clones to each other. They look very much like the Mayer-Osborn design but have slightly different dimensions and lack the vertical grooves.

Arriba, Colo., is another of the same type.

Johnson-Sampson’s Page City elevator lacks the vertical grooves.

My best guess is the larger, successful companies had a few standard designs for their customers. If a customer wanted to request a proposal, they would give specifications, and the company would customize to meet the described needs, presenting the plans in their contract bid. Upon acceptance, the elevator would rise, with enough differences from the basic design to make it unique.

A few telltale details suggest the builder’s identity, but you can’t be absolutely sure until you see a document or a manhole cover to confirm your suspicion.