Considering the prevalence of robot vacuum cleaners and lawn mowers, it was only a matter of time until the predictions of autonomous farming machines came true.
Say hello to the John Deere robo-tractor. Had you known about Deere’s $33-million R&D center that opened in Urbandale, Iowa, in 2018? It helps lead to this.
The design staff must have had a great time working on it, although unlike automotive designers who create a concept vehicle, there’s only one color to play with.
The attachable cab calls to mind an insect that can fit its own head to the abdomen and thorax.
Maybe our readers will get a laugh from the 2-minite 43-second video. The music is inspiring in a “Chariots of Fire” sort of way.
The viewer can take his or her own meaning from the drawing, but allow us to point out the inset illustration labeled “Overhead Deck Cable.” It shows 4-10 neoprene-covered wire with power outlets and “lites” rendered in such charming style. (Neoprene was invented by Dupont in 1930.)
Traces of Double J Manufacturing Co., Inc.–which opened in 1949–turn up in a web search. Double J is characterized as a producer of industrial and commercial machinery and equipment. There’s even a phone number, but dialing 913.342.4400 yields, “We’re sorry, you have reached a number that has been disconnected or is no longer in service.”
Nevertheless, this excellent drawing commemorates the company.
Our Grandfathers’ Grain Elevators marked its 10th anniversary four months ago, but in the crush of the holiday season and early 2022 resort activities in Palm Springs, which is one location of our split headquarters, we forgot to mention it until now.
Thank you to all followers of our blog.
In these 10 years, our 455 posts have attracted 72,271 visitors and 158,294 page views. Just today, we’ve had looks from China, Portugal, Lithuania, Canada, and the Netherlands in addition to the United States.
Also in these 10 years, it can be said that we–Kristen Osborn Cart and Ronald Ahrens–have become excellent friends. You see us pictured above in May of 2021, when Kristen was able to parachute into Palm Springs and accompany me to the track, where I did an assignment for Robb Report. Then we went to the south shore of the Salton Sea and took pictures of burrowing owls.
Through our posts, we’ve made friends with readers, too.
Our favorite moments in this pursuit are personal visits to our grandfather’s elevators, but we also have been lucky in getting our hands on construction records. Not long after we got going on this project, Uncles Tim and Chuck Tillotson put their heads together and came up with valuable documents.
We also love it when comments come in or readers extend their personal stories, photos, and art–all of which have been important to our effort.
On this anniversary, we would like to share a bit more from our personal perspectives.
10-Year Journey, by Kristen Cart
The blog started very much by chance. I wanted to find the elevators my grandfather, Bill Osborn, built. My dad, Jerry Osborn, knew the locations for the projects and the names of grandpa’s boss, Reginald Tillotson, and his superintendents, so I began to scour the internet to find them. That is how I found Ronald Ahrens. In 2009, he had written a post on his personal blog about his grandfather, Reginald Tillotson, and his airplane, which was pressed into service for elevator stuff. I wrote a comment on the blog. So began a very productive relationship.
Early on, we partnered with a photographer and elevator enthusiast named Gary Rich. He was a retired Union Pacific man, and he has since passed away. He traveled around many of the places where our grandfathers plied their trade, and he accumulated a formidable collection of elevator images. He gave us views of elevators that are now demolished—some of which we never had a chance to see. I had occasion to do an elevator tour and photo shoot with him. He would look at my images and tease me about removing the rock in my shoe—almost all of my pictures tilted to one side or the other. He was a very good photographer and critic.
Gary is not the only contributor who has passed on to greener pastures. Many of the men who did the work in the 1940s and 1950s were older than our World War Two veterans, and most of them are gone. The interviews and photos in this blog gave voice to some of these men and women.
Kristen waits for birds near the south shore of the Salton Sea (Sonny Bono Salton Sea National Wildlife Refuge) in April 2021.
I look through our past posts and see a few that were started and not quite finished—I confess to being the guilty party. Usually some scrap of information was misplaced or missing. If I never got back to it, mea culpa. Palmer, Iowa, was one such post—I still have hopes of finishing it.
I don’t get around to a lot of the places as much anymore. I’m not the stalwart road-tripper I once was. But I will never forget how Ronald taught me about taking strong photos with context, and about interviews that bring people to life in print.
The blog has been a great ride. Here’s to another ten years.
Figuring out the Hidden Meanings, by Ronald Ahrens
When Kristen tracked me down in 2011, I had just moved to Southern California after 25 years in Michigan, and the last thing on my mind was grain elevators. During my youth in Omaha, Neb., everybody in the family knew that our maternal grandfather, Reginald O. Tillotson, had built grain elevators. But we knew nothing beyond that.
Kristen got the ball rolling. Genealogy was her established interest, and she had come up with some news clips that served as kindling for the great conflagration that’s followed.
Inside the main house at Booker, Texas, April 2018.
It’s hard for me to get to many elevator sites–the nearest one of “ours” is in Tempe, Ariz.–and besides that I keep busy as a freelance writer. But as mentioned, we came into the possession of more records, and by hook and crook, we’ve also managed to visit elevators in Texas, Oklahoma, Colorado, Nebraska, and Iowa.
My other big challenge has been learning how an elevator works. It certainly can be said that my inventory of lingo has increased. What other buildings come with such a rich lexicon? Boot, manlift, main house, cupola/headhouse, and load-out spout are a few examples.
In my career, I’ve written for 80 magazines and 24 newspapers, including some you’ve heard of. (For example, my byline and in some cases my own photos have appeared in The Wall Street Journal, The New York Times, New York Post, and USA Today.) But I can say with satisfaction that Our Grandfathers’ Grain Elevators is equally significant, and part of the pleasure is in doing it our way.
Finally, mercifully, we get to the last of the drawings from Tillotson Construction Co. records, and instead of dark, hard-to-read copies of blueprints, we offer these scanned copies of a “blue line.” They’re for a main slab and tunnel at Gurley, Neb.–which we assume has something to do with an annex–and were completed by Ted Morris on April 18, 1958. The scale is indicated as one-quarter-inch to one foot.
These are among the most detailed drawings in our possession, with abundant dimensional markings and figures for steel reinforcing bars. There are also many notations, some comprehensible and others begging for clarifying comments. In the upper right, the note, “Knock out Exist. Endwall in Tunnel” seems to suggest a conveyor that would connect the annex to the elevator.
Above that, an 11.0-foot gap is indicated between slabs with the note, “Wall to Wall (to Clr. Car Puller). Hmm!
Another one, between the Number Six and Number Four tanks, says, “Truss Bars next to Tank Opg’s. Str. Bars next to Inner Opgs.”
And in Number One we read, “Main Slab Steel to be 2″ Clear from Face of Slab Shown. Main Wall Steel to be 3/4″ clear from Face of Wall Shown.”
Others are far trickier. For example, “Print Walls for Roof” is written in Number Eight, and that’s pretty obscure.
Gurley is located in the Nebraska panhandle a few miles north of Sidney and Interstate 80. A satellite view reveals the annex and main elevator quite clearly amid Crossroad Coop’s complex at 501 Lincoln St. and ought to satisfy reader Suzassippi’s desire to match the two-dimensional drawing with a photographic view.
Readers may please feel free to contribute their own interpretations via the comments feature.
Our classmate and friend, Kim Cooper, sent a couple of photos from Greenwood, Neb., saying he “took a drive this evening checking out some subject matter. Great light in late afternoon.”
Kim is an artist and the proprietor of Cooper Studio & Gallery, located at 1526 Silver St. in Ashland, Neb. The studio and gallery opened in 2001. He likes to work in the pleinairstyle, which often finds him painting outdoors and trying to capture the subtleties of light and shadow.
Besides the oil paintings, Cooper Studio & Gallery also offers watercolors, pottery, jewelry, and hand-crafted wooden vessels.
Starting in 1969, Kim and I were classmates at Morton Junior High School and then during a sophomore year at Burke High School in Omaha before a realignment swept him away to the brand-new Northwest High.
Besides our friendship, he knows Kristen Cart “fairly well” and her father, Jerry Osborn, who lives in Ashland.
“I met her father before I knew he was her dad,” he says.
We have featured Kim’s work in the past and are always happy to see more. To find those previous posts, enter his name in the search window to the right of this window.
Our Grandfathers' Grain Elevators 