Category Archives: Employees

Tillotson Construction employees share playful moments outside the company’s Omaha office

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Story by Tim Tillotson, photos from the Virginia Slusher archive

Editor’s note: The story is from a May 14 phone interview.

On the top pic, second from left, Ted Morris? It don’t look like him at all to me. Wayne Skinner, I believe that’s his Olds they’re leaning against.

In the background is Fairmont Ice Cream. They brought refrigerated rail cars in there. One of them, Dad rammed the ass-end of his ’56 imperial into, backing out of the front of the office and I don’t know where he was going in such a hurry. Second day he had it. A four-door Southhampton, pink and white, Mother drove it most of the time. The air conditioning system—they were coming into the picture then—the condenser unit was in the front of the trunk in a big metal box.

When he slammed into the tongue of that rail car, you know how high those tongues stick out, it got into the trunk and the back window. He had them working 24 hours a day to fix that thing, the trunk, back window, and roof.

After he had it fixed, you could always hear some broken glass shifting around in the box of that unit.

Wayne was the so-called engineer, he set over there in that drafting room in the other side of the office, did all the structural calculations.

It was a ’49 or ’50 Olds. Wayne is in the middle pic with Bob Rodgers. He was like the bookkeeper.

Top and bottom picture? There’s Virginia (second from right) and I don’t know who that woman is.

Johnny (Hassman) had to be office help. He didn’t really have anything to do with the drawings or plans. I don’t even remember that he even worked on a job. And I don’t remember why he was there. He got his college work done, I think, in Missoula.

Uncle Ralph, Johnny’s dad, helped later in sales. I remember Ralph talking about him almost living in the car, and he ate a lot of pork and beans out of the can to pay for his way through college. I can’t remember his academic agenda.

Ted was the pilot. He worked int the office with Wayne, doing the drawing and getting the specs together. He flew Dad when Dad would go out to the jobs. Ted used to take me flying out to the job. He was a fun guy, good-natured. He tried going into business himself after Dad passed.

Virginia Slusher remembers her years as Tillotson Contruction’s office girl

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Story by Virginia Slusher, photos from her collection

Editor’s note: Virginia Slusher, who lives near Kansas City, contacted us to share these recollections and photos. We have previously written about The Office, part of the old Anheuser-Bush brewery on Jones Street, which served as Tillotson Construction’s headquarters in the 1950s. 

Beginning in the fall of 1951, I worked for Mike (Reginald) and Mary Tillotson for seven years. I was the “office girl”–some bookkeeping, receptionist, et cetera.

I went to Commercial Extension School of Commerce, and Johnny Hassman was my date for our graduation party. He was in the office quite often. I think Johnny helped with sales. IMG_1390

One morning I arrived first, and the safe was hanging open. Because of the burglary, I immediately ran down to the gas station on the corner. The thief took the petty cash they kept in the safe. I don’t think he bothered anything else. The police came to investigate.

I loved working there; they were so good to me.

The three guys and I would sit up on the balcony and play cards sometimes when Mary was gone. It was a raised area where Wayne and Ted, the two engineers, sat. Bob the bookkeeper sat just below.

I loved the guys. They took me out for my first legal drink when I turned 21 years old. They teased me unmercifully but were so good to me.

I remember typing about 2000 W-4s at the end of the year. Men would work for one or two days and quit. I also sent all the “give us your business” cards to the small towns in multiple states. Virginia Slusher 01

The other woman–I can’t remember her name–was working there when I started.

They had a huge NCR bookkeeping machine that she taught me how to operate. Shortly after I started there, the company sold it to, I think, China.

Mary was different to say the least. She had an ugly Boxer that came to work with her sometimes. He would slobber on me; therefore, I did not like him!

She used to tape a St. Christopher medal on her desk. We joked that we wondered if the desk would take her somewhere.

Johnny Hassman and Virginia Slusher celebrate her business school graduation. Photo from the Virginia Slusher archive.

Johnny Hassman and Virginia Slusher celebrate her business school graduation.

She was very good to me, gave me nice bonuses at the end of the year, not quite as big as the three guys. But very good for the ’50s. I received $1000 to $15oo. The men usually around $10,000. Very large amount for the times.

Mike (Reginald) was funny, not in the office much. I had to write the checks to pay the family bills.

I was still Virginia Engel but married William Slusher while working there, 60 years now, and they were very nice to us.

When the company closed, Mary found a new job for me at Power District credit union.

Bill Russell delivered the first load of grain in Alta’s new concrete elevator

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First load of grain being dumped in the elevator. Man on left is probably an elevator employee, Bill Russell, right.

An Alta Cooperative employee, left, and Tillotson’s superintendent Bill Russell dump the first load of grain in 1950. Photo from the Neil A. Lieb archive.

By Ronald Ahrens

We’ve laid out the story of Tillotson Construction Company’s concrete elevator at Alta, Iowa.

Now for the completion.

The photo shows the ceremonial first load of grain being dumped after the elevator was wrapped up in 1950. The job had started in early spring.

Bill Russell superintended from start to finish. As his son Dennis has told us, Bill was born in 1900 and built ammunition depots during World War Two before coming to work for Tillotson.

He was father of eight sons. One of them, Jim, a promising law school student, died in a fall on Tillotson’s elevator at Murphy, Neb.

After a long run with Tillotson, Bill started Mid-States Construction, which became known as Mid-States Equipment, with Gordon Erickson.

During the key postwar period of elevator expansion, few men contributed more than Bill Russell, and we are proud to remember and honor him.

Tillotson’s employee ‘Tiny’ could sucker the locals in any barroom

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Photo from the Neil A. Lieb Archive.

Story by Ronald Ahrens, photo from the Neil A. Lieb Archive

He was called Tiny, and he could always put one over on the locals.

Neil Lieb couldn’t recall Tiny’s full name during our telephone conversation on April 29, when we sought to identify people shown in photos from Tillotson Construction Company’s job at Alta, Iowa.

As a young man just out of high school, Neil was part of the crew, and even sixty-five years later he still marvels at the older, wiser Tiny.

Members of the crew would go into the beer parlor after hours. scan0017

“Tiny would bet you he could drink a bottle of beer in 10 seconds,” Neil said. “It takes eight seconds for the bottle to run dry by itself. He would bet five or ten dollars, and he would find some sucker.”

Tiny was 6 feet 2 inches tall, Neil recalled.

Neil couldn’t identify the man at the rear of the photo, nor could he express details of the job they were undertaking because he had moved on after the Alta Cooperative’s new concrete elevator was finished.

Photos document the construction of a chimney that rose from a small building next to the old wooden elevator. We don’t know this stack’s purpose, but Neil (and my Uncle Tim Tillotson) don’t suspect it had to do with grain drying.

 

Elevator construction men found time for romance on the side

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Commentary by Neil Lieb with photo from his archive

A little quirk happened in West Bend, Iowa. Construction men were known as love ’em and leave ’em. Blaine Bell, Ed Hart (roommate from Gilmore, Iowa) and myself all married girls from West Bend. Pop Bell was a sawman for Bill Russell—all he did was cut lumber, all the pieces, all the forms. He had a big table saw, probably an 18-inch rotary blade driven by a two- or three-horsepower electric motor.

Neil A. Lieb, left, and Blaine Bell .

Neil A. Lieb, left, and Blaine Bell .

Blaine Bell and I, in West Bend, they built a feed manufacturing building next to the elevator next to Main Street, downtown. My wife Jolene’s father, Joseph Higgins, had a barber shop. They had an apartment right behind the barber shop and she used to come out and hang up clothes and the normal stuff. My wife was a redheaded Irishman. Blaine kept saying, “I have to see if I can get a date,” and it irritated me.

One day I made a point to be on the ground when I knew she was coming out of the house. I got a date with her. She wasn’t supposed to date construction people. We were married over 59 years. That was in October of 1950.

Editor’s note: This anecdote is from an interview on July 18, 2014.

Getting off-level and taking a fall at Tillotson’s Bushland, Tex., elevator

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Entering Bushland, Texas. Photo by Stefan Joppich, used with permission.

Entering Bushland, Texas. Photo by Stefan Joppich, used with permission.

Commentary by Neil Lieb with photo from his archive

Somewhere between checking the water level when we started and checking it in the middle, the forms became about 3.5 inches off level. That’s because one guy who was running the jacks on one side wasn’t making his rounds as he was supposed to. The guy was fired on the spot.

Now you had to get the decks level again. When you’re going off level, you’re going at an angle. So what happened, you got a little swerve in the tanks. It’s only an inch. You can’t see it. The only time is if you go up and down on a hoist. So the bottom and top are not exactly over each other.

It had no effect. Not enough to be significant. We were about 65 or 70 feet in the air when it happened.

Every job had a peculiarity. The guy in Bushland jumped off the top. He started to fall, so he jumped. He jumped out far enough to land on the sand pile. We were probably 40 to 50 feet. He landed on the side of the sand pile and slid to the bottom.

We said, “How you doing?”

He said, “Oh, I’m fine. I’ll be a little stiff and sore.”

There were seven guys that I worked with. Baker was one and Bill Russell, all of ’em fell or got killed somewhere along the line.

When you’re working in the air, you become careless because it’s like walking on the ground, but you’re not walking on the ground.

Steelworkers, they all say you get too familiar with working off the ground. When they do that, they become careless.

 

‘A Tillotson unique feature: the end of the headhouse is round’

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Commentary by Neil A. Lieb, photo from his archive

The concrete work is finished. You see those windows up there? The end of the headhouse is round because it’s hard to lay steel on a square corner. When you’re laying rebar, you have long straight sticks. Corners are hard to do. The is a Tillotson unique feature, as far as I know. It looks good because it matches the contours of the rest of the building. It was functional because the steel of the tank comes in about four pieces, and you lay them and they overlap. It was pretty exacting. You worked on your knees all night, up and down. You got the steel off the rack and you had to get down under neath and run it under all that stuff. And you did that over and over. The day that we were going to put the glass in the windows, those were steel-frame windows. There’s a little metal clip that holds the glass. You put the putty on the outside and you’re all done. The day we were doing that, the wind was blowing so hard, it was breaking the glass as we were put it in. We had to quit because of the danger of flying glass. They bought some different glass that was stronger, double-strength glass. It was just one of those things. All of a sudden, boom, this flying glass comes across the room at you.

Filled with concrete, a nail keg counterbalanced the rooftop crane

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Commentary by Neil A. Lieb, with photo from his archive

See the little cornice atop the tank? Those are forms for the cornice, the overhang. They call them eaves on a house.

The roof was poured before the headhouse went up.

That crane is a concrete-hoisting crane.

The headhouse is quite an operation because you had to hoist the concrete up to the top of the tank. And then they had a deck crane, and you had to hoist it [the concrete] to the top.

Every job I worked on, they used a nail keg that had been filled with concrete as a counterbalance weight. When you went up and down on the cable to go to work, that’s what you stood on—two guys, one foot each. That’s all there was room for.

It didn’t take that long, about fifteen or twenty seconds.

The motor and cable were down on the ground.

The operator had a shed to keep him out of the rain and sun.

 

Night and day in 1950, Tillotson’s grain elevator rose in Alta, Iowa

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Commentary by Neil A. Lieb, photos from his archive

From a telephone interview on July 22, 2014:

It was commercial power for the lamps. The only thing that was noisy was the mixer and the hoist. Once you got about 40 feet off the ground, all that anybody heard was people talking to each other. That’s the top of the driveway (seen in the photo), about 16 feet, so they’re about 25 or 30 feet off the ground. On a construction site, there’s lumber all over everywhere. Today they keep track of it very carefully because people steal it. But when we were building these, nobody stole lumber. People in Iowa and the Midwest, they didn’t steal lumber from a construction site like they do out here (California.) See the scaffolding below the forms? A cement finisher finished the concrete as it came out of the forms. That’s all he did, all night long.

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Those cars…I didn’t have a car at Alta. Those shacks were probably, lower right, the office, and the other was where we kept the tools. We built a lot of those things and then we tore them down. Slip-form construction was a major engineering feat. They built concrete grain elevators before slip-forms. They had steel forms they’d fill with concrete.

 

 

 

The gun fired, and continuous action of many processes began in Alta, Iowa

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In this post, Charles J. Tillotson elaborates on Neil A. Lieb’s previous comments, describing the above photo from his archive. The jack rods referred to in the text are the tall, slender steel poles seen throughout the photo.  

They often say, a picture is worth a thousand words and this one fits the bill perfectly. The photo is truly an aid to describing the method of slipform construction that was used in grain elevator construction. Neil mentions the one-handed placement of the jack rod, so I’ll start with that.
 
Slipform construction is made up of many complex disciplines which have to all work together in order to provide the final poured-in-place concrete product.

As mentioned prior to this, the slipping of the formwork used in this type of construction was provided by a series of screw jacks placed apart by an engineered calculation sufficient to lift each jack’s portion of the formwork assembly.

Each screw jack was supported by a wooden, U-shaped yoke, the legs of which were attached to the vertical concrete formwork. Inserted in the top (or horizontal) portion of each yoke was a screw jack (similar to that used in jacking building foundations). A smooth one-inch jack rod was then inserted into the top head of the jack and threaded down through it until stopping at the foundation slab. 

The formwork is clearly seen at the Alta elevator rises. The catwalk around the bottom was for the concrete finisher, who smoothed and patched the freshly formed surface. Photo from the Neil A. Lieb Archive.

The wooden formwork is clearly seen at the Alta elevator rises. The scaffolding around the bottom was for the cement finishers, who smoothed and patched the freshly formed surface. Photo from the Neil A. Lieb Archive. 

A series of horizontal wooden rails at about waist height (looks like a railroad track) were then built directly above the open formwork, the “ties” of which were placed at prescribed intervals and used as a template spacer for inserting the actual vertical reinforcing steel. (See the small, half-inch rebar rods extending vertically out of the open bin forms at each cross tie). The vertical rebar was staggered slightly in an alternating fashion so as to allow the half-inch horizontal rebar to be threaded through the vertical rebar. On the vertical 2x4s that are attached to the exterior side of the formwork and rise above the entire deck assembly, so-called targets placed on their tops were used in leveling the deck in order to provide a final elevator that rose plumb and straight above the foundation.

As the screw jacks were turned (each jack was turned the same amount), the foreman on deck used a leveling instrument and sighted on each target to insure that the formwork was rising true plumb and level. If any of the targets did not align with true level, the portion of the deck out of plumb was corrected by extra turns of the screw jack or jacks as necessary to bring that portion of the deck up level with the rest of the formwork. 

Not shown in the photo is the horizontal rebar that was required to form a steel reinforced grid integrally cast in the concrete to form a reinforced concrete structure. Initially, the horizontal steel was wire-tied in place to the vertical rebar prior to one side of the forms being installed.  This placement occurred only to the height of the wood bin forms. Once the form-lifting began, the horizontal steel was placed by hand by pushing and threading the rebar horizontally through the vertical rebar. Because of the vertical movement of the formwork, close attention was required as to the spacing between horizontal rebar. 

Now, try to imagine: the start gun is fired and the continuous action of the many processes begins, never to stop until the wooden forms and finished structure reaches the prescribed vertical height (some 120 feet) eight days later. Manual labor is involved in each discipline. Personnel changes occur, but each position is filled by a replacement. The gun is fired, cement is mixed and lifted to the deck of the formwork via a Georgia buggy, and the content is dumped into the open form. The pouring of the cement into the formwork is continued in a circular fashion around the entire deck until it reaches a prescribed height in the form. 

The finished elevator. Photo from the Neil A. Lieb Archive.

The finished elevator. Photo from the Neil A. Lieb Archive.

Once the cement is allowed to solidify in the forms on the foundation slab, the jacking operation begins and the formwork starts its vertical lifting and slipping process. The jacks are turned, the cement is poured, the vertical rebar and jackrods are placed and spliced, and all the while the horizontal rebar is positioned at the proper height and spacing. Pour cement, turn jacks, place rebar, check deck level, and on and on through night and day until the construction reaches final height. The most problematic aspect of this system is the placing of the horizontal steel at the correct spacing, the placement of formed openings in the bins, keeping the hoist in operation, mixing the cement, and obtaining enough set time of the cement mixture so that as the finished concrete walls do not fall apart or slough off.     

Also, hanging beneath the formwork structure is the scaffolding for the cement finishers who dutifully serve to patch and smoothly finish the concrete surfaces appearing at the bottom of the vertically slipping formwork.