Commentary by Neil A. Lieb, with photo from his archive
That’s the west side of the elevator. If you were bringing grain in, you would go in that door and out the other door. See that railroad track? All elevators I’ve ever been near, seems you go in the back side and out the front side. You see the second row of windows? You see where the last “A” is? That’s where the motor sets. The belt would be on the right-hand side of the driveway. The driveways are always offset to one side, and the belt to the other side. The drive motor sits about where that “A” is, maybe about the top. It sits on top of two I-beams. They go into the wall of the headhouse and the wall of the shaft that drives the belt. The lettering was done after we left. Tillotson didn’t have anything to do with it. Some sign company came in and did it. They used lead anchors. It had a steel in the middle and lead sleeve on the outside. You can go to a hardware store and still buy them. They had a drill—they called a star drill—and you hit it with a hammer. You hit it, you turned it. You hit it, you turned it. You use a five or seven pound shop hammer to hit it with. Now they have drill bits that cut through concrete. There’s probably an anchor, on the T, at each corner, the middle at the top, and the bottom. The big letters have three or four. The small letters have two. I have no idea, I didn’t do it. See the dark part at the bottom of the pipe, that’s flex pipe so you could put it in the grain car.
That photograph has to be the most aesthetic picture of a grain elevator ever. The structure itself is a work of art.
We’re glad to know others see it the same way we do!